“Youngblood’s rich voice is neither young nor old. It’s just timeless.”
- MLIVE.com
“Youngblood’s rich voice is neither young nor old. It’s just timeless.”
- MLIVE.com
“Youngblood’s rich voice is neither young nor old. It’s just timeless.”
“Singing is our most direct and human form of communication, because the voice is the original musical instrument.”
As a species, even before we were beating rhythms on rocks and gourds and drums, we were singing. No other instrument can create the connection from one human soul to another that is made through the sound of a clear focused voice conveying the emotion of a text.
Instruments, especially strings and reeds, are often cited for their ability to evoke the human voice, and I think that’s why Beethoven finally had to include voices in the last movement of his 9th Symphony. He realized that, at the end… and in the end… even the greatest orchestra was not enough.
Baritone Grant Youngblood commands the stage this summer as Horace Tabor in the 60th anniversary production of The Ballad of Baby Doe. On this episode, recorded a few days after Opening Night in July, Grant shares his thoughts on this iconic Colorado silver king, including his theory as to why Horace left Augusta for Baby Doe.
In a review of La Traviata at the Maltz, Daniel Hathaway with ClevelandClassical.com described Grant’s performance:
…Speaking of introductions and first impressions, when we first met the outstanding baritone Grant Youngblood, it was clear that Alfredo’s father was going to figure as a real, flesh-and-blood element in the plot rather than the usual cardboard character. Youngblood’s voice was as alluring as his stage presence.
Read the whole thing.